![]() The biggest artists in the world would release surprise albums at midnight, put new singles on Soundcloud - Kanye West even released an album on a streaming service, then went back to do more editing of the tracks and re-released them. Traditional, tenable music releases were gone. Music became impossibly broad, and as CDs and then mp3s of both the legal and illegal flavors gave way to the streaming services, giant, four-quadrant musical hits became as rare as giant four-quadrant TV hits. ![]() The rest of pop culture took the same path as TV: Endless niche choices. They have an entire eyeball hoarding subgenre.) (And this isn’t even getting into other competition for eyeballs like YouTube and TikTok stars. If one did - a Stranger Things type - scores of people would mentally add it to their personal to-watch list, and maybe (or maybe not) eventually binge it, at their own pace, on whichever of the borg of streaming services happened to have its streaming rights. Very few of them captured even a sliver of the broad strokes zeitgeist. So it was fine that the TV medium, over the next decade-and-a-half, would grow to untenable proportions ( 532 original scripted TV series in 2019, more than double the number in 2010). There was always something else to see, after all. We could now have whatever pop culture experience we wanted, and if there was a can’t-miss moment somewhere else, we could always watch it on YouTube. Gone were the need for collective moments. As Lazy Sunday ushered in the beginning YouTube era, it sparked the conclusion of the feeling of “you gotta watch this live or get left behind.” Sure, in the past few decades people had recorded shows on VHS and then on TiVo but now, someone who hadn’t could also witness something they’d missed in real time. The video also put a number of other things on the map (or, at least, amplified them): Andy Samberg his Lonely Island troupe comedy rap that takes production and performance seriously the start of SNL‘s, and much of televised comedy’s, evolution into a focus on individually-sharable video clips adults going to see The Chronicles of Narnia.īut I’m going to focus here on a more conceptual piece of shrapnel the from Lazy Sunday detonation: The end of collective pop culture experiences. Lazy Sunday now gets a deserved chunk of credit for putting YouTube on the map. But like the heads on a hydra (yes, we’re switching from a whack-a-mole analogy to a hydra analogy, that’s not poor writing, I’m just living my life a quarter mile at a time), when one copy would go down, three more would take its place. Instead, they entered into a game of whack-a-mole with YouTube, frantically trying to squash the shared copies of Lazy Sunday. NBC didn’t exactly embrace the viral hit they had on their hands. Some of his famous songs include 'Jab Bhi Koi Haseena' from 'Hera Pheri', 'Jhanak Jhanak Baaje' from 'Farz', 'Mil Jaye Khazana' for 'Yeh Teraa Ghar Yeh Meraa Ghar', 'Aaja Gufaon Mein' for 'Aks', 'Dola Re Dola' and 'Maar Daala' for 'Devdas', 'Bardaasht' for Abbas Mastan's 'Humraaz', 'Zindagi Do Pal Ki' and 'Dil Kyun Yeh Mera' for 'Kites'.2005 was well before every late-night comedy show (and, eventually, TV show) shared its best clips for free online quite the opposite, in fact. However, he sang a small portion of the song 'Chhod Aaye Hum' from Gulzar's 'Maachis' before this big debut. In 1999, he made his Bollywood playback singing debut with 'Tadap Tadap' from 'Hum Dil De Chuke Sanam'. After the short stint, he decided to follow his passion for music.Īfter working on several jingles for the next few years, KK got a chance to sing AR Rahman's hit song 'Kalluri Saaley' and 'Hello Dr' from Kadir's 'Kadhal Desam' and then 'Strawberry Kannae' from the musical film 'Minsara Kanavu'. Right after his education in Delhi's Mount St Mary's School, the late singer took up the responsibilities of a marketing associate in the hotel industry.
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